Images by MAXFIELD PARRISH (1870-1966) : page << 1 of 1 >>
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1899 c., pencil and gouache on paper, 13" x 9", initialed l.r. & inscribed: 'Maxfield Parrish'/ 'No. 224 The Oaks Windsor, Vermont'
1899 c., pencil and gouache on paper, 13" x 9", initialed l.r. & inscribed: 'Maxfield Parrish'/ 'No. 224 The Oaks Windsor, Vermont'
MAXFIELD PARRISH (1870-1966) BOTANIST, THE
1908, ink & oil on paper mounted on wood panel, 15 3/4" x 10", signed and dated lower left
1908, ink & oil on paper mounted on wood panel, 15 3/4" x 10", signed and dated lower left
MAXFIELD PARRISH (1870-1966) COLLIER'S MAGAZINE COVER - STUDY
1908, oil with graphite on board, 22" x 16", unsigned, on reverse: "Maxfield Parrish, June of 1908"
1908, oil with graphite on board, 22" x 16", unsigned, on reverse: "Maxfield Parrish, June of 1908"
MAXFIELD PARRISH (1870-1966) COMIC SCOTTISH SOLDIER
1909, oil on brown paper, 22" x 16", initialed lower right M.P.
1909, oil on brown paper, 22" x 16", initialed lower right M.P.
MAXFIELD PARRISH (1870-1966) DECENNIAL ANNIVERSARY COVER
1898 c., watercolor and ink on paper, 15 3/8" x 11 1/2",
1898 c., watercolor and ink on paper, 15 3/8" x 11 1/2",
MAXFIELD PARRISH (1870-1966) DUCHESS AT PRAYER, THE - THE DUCHESS' APARTMENTS ARE BEYOND
1900, oil on panel, 30" x 21", signed lower left
1900, oil on panel, 30" x 21", signed lower left
MAXFIELD PARRISH (1870-1966) GRAPE GATHERER, A
1904, oil on panel, 24" x 20", initialed lower right
1904, oil on panel, 24" x 20", initialed lower right
MAXFIELD PARRISH (1870-1966) IRENEE DU PONT - MURAL STUDY
1932, watercolor and pencil on paper (with dynamic symmetry lines), 30" x 49 1/2", unsigned
1932, watercolor and pencil on paper (with dynamic symmetry lines), 30" x 49 1/2", unsigned
MAXFIELD PARRISH (1870-1966) JACK AND THE GIANT
1908, oil on paper, 22" x 16", signed and dated lower left
1908, oil on paper, 22" x 16", signed and dated lower left
MAXFIELD PARRISH (1870-1966) JUST A MOMENT PLEASE
, oil on panel, 39" x 24",
, oil on panel, 39" x 24",
MAXFIELD PARRISH (1870-1966) LITTLE JACK HORNER
1897, pen and ink on paper, 12 1/2" x 10 1/2", initialed lower left
1897, pen and ink on paper, 12 1/2" x 10 1/2", initialed lower left
MAXFIELD PARRISH (1870-1966) OLYMPIANS, THE
1899, watercolor, oil and black ink on paper, 11" x 7", initialed lower left, M.P.signed on the reverse" 'Maxfield Parrish, "The Oaks" Windsor, Vermont'
1899, watercolor, oil and black ink on paper, 11" x 7", initialed lower left, M.P.signed on the reverse" 'Maxfield Parrish, "The Oaks" Windsor, Vermont'
MAXFIELD PARRISH (1870-1966) RIVER AT ASCUTNEY, THE
1942, oil on panel, 23" x 18 1/2", signed and dated lower left
1942, oil on panel, 23" x 18 1/2", signed and dated lower left
MAXFIELD PARRISH (1870-1966) SAWDUST AND SIN
1899, oil on brown paper, 15 1/4" x 10 1/4", initialed lower left
1899, oil on brown paper, 15 1/4" x 10 1/4", initialed lower left
MAXFIELD PARRISH (1870-1966) SEEING THINGS AT NIGHT
1903, oil on paper, 21 1/4" x 14 3/4", signed and inscribed at bottom 'To Richard Glaenzer: Maxfield Parrish'
1903, oil on paper, 21 1/4" x 14 3/4", signed and inscribed at bottom 'To Richard Glaenzer: Maxfield Parrish'
MAXFIELD PARRISH (1870-1966) STANDING FEMALE NUDE
1892-94, pencil on paper, 24 3/4" x 18 3/4", unsigned
1892-94, pencil on paper, 24 3/4" x 18 3/4", unsigned