The American Muse
April 2013 through September 2013
Show Exhibition Press ReleaseThe American Illustrators Gallery is proud to announce its latest exhibition,
The American Muse, exploring the ways in which the greatest American illustrators portrayed their ideal women, and how these images both reflected and shaped the women of America throughout the early 20th Century. The exhibition features renowned artists
McClelland Barclay, Howard Chandler Christy, Harrison Fisher, Charles Dana Gibson, John Lagatta, J.C. Leyendecker, Norman Rockwell, Walter Granville Smith, and others.
As fashions change with the seasons, these American illustrators’ images reflected the quickly evolving styles of idyllic American women. From the leg-of-mutton sleeves on blouses, to billowing skirts and full-brimmed hats at the turn of the Century to the flappers’ short, strapless, and formless dresses adorned with long pearls of the 1920’s, Americans first embraced the new styles in images they saw in books, magazines, advertisements, and calendars.
Beginning in the late 1890’s,
Albert B. Wenzell (1864-1917) captures the restrained elegance of the 19th century in his portrait,
Lady with Muff. Rendered in the subtleties of
en grisaille (black and white) gouache, Wenzell captures her delicate features adorned in a high collared coat, hat and fur muff.
Charles Dana Gibson (1867-1944) skillfully rendered his women in pen and ink, capturing the more informal appeal of women in the early 1900’s in
Two Women Reading Newspaper. Gibson was better known for he truly portrayed the elegant inherent nature of American women in his images. His renowned
Gibson Girl was depicted in a casual yet elegant style. She captivated her audience and put viewers at ease with female images, more so than previously. The
Gibson Girl represented not only femininity, but an American beauty unsurpassed globally.
Another influential illustrator was
Harrison Fisher (1877-1934) who, like Gibson, was highly regarded for his brilliant depictions of the ideal American beauty:
“girls, young with the youth of a new country, strong with the vitality of buoyant good health, fresh with clear-eyed brightness, athletic, cheerful, sympathetic, and beautiful.” Each of these qualities is highlighted in
Lucky Dog, the September 6, 1914 cover of
American Sunday Monthly Magazine.
After World War I, American society reflected the relief and progress brought about with significant postwar international change. For the November 17, 1923 cover of
Literary Digest,
Norman Rockwell (1894-1978) captures a young girl in a candid moment of thought in
Dreams in the Antique Shop. The young woman appears innocent and naïve, wearing a short sleeve cotton dress and an apron as she wonders of the new possibilities in the future.
Howard Chandler Christy (1873-1952) also approaches young women’s dreams of future change in his 1940’s work,
Ladies and Antebellum Architecture. Now on the brink of World War II, Christy depicts his favorite model Elise in a dream-like Southern estate.
For more information on
The American Muse please call 212.744.5190 or visit our website at www.AmericanIllustrators.com.
FOR IMMEDIATE RELEASE
April 4, 2013
Contact: Sara Bliss
212.744.5190
SBliss@AmericanIllustrators.com
www.AmericanIllustrators.com
AMERICAN ILLUSTRATORS GALLERY Presents 'THE AMERICAN MUSE’
NEW YORK CITY – The American Illustrators Gallery is proud to announce its latest exhibition, The American Muse, exploring the ways in which the greatest American illustrators portrayed their ideal women, and how these images both reflected and shaped the women of America throughout the early 20th Century. The exhibition features renowned artists McClelland Barclay, Howard Chandler Christy, Harrison Fisher, Charles Dana Gibson, John Lagatta, J.C. Leyendecker, Norman Rockwell, Walter Granville Smith, and others.
As fashions change with the seasons, these American illustrators’ images reflected the quickly evolving styles of idyllic American women. From the leg-of-mutton sleeves on blouses, to billowing skirts and full-brimmed hats at the turn of the Century to the flappers’ short, strapless, and formless dresses adorned with long pearls of the 1920’s, Americans first embraced the new styles in images they saw in books, magazines, advertisements, and calendars.
Beginning in the late 1890’s, Albert B. Wenzell (1864-1917) captures the restrained elegance of the 19th century in his portrait, Lady with Muff. Rendered in the subtleties of en grisaille (black and white) gouache, Wenzell captures her delicate features adorned in a high collared coat, hat and fur muff. Charles Dana Gibson (1867-1944) skillfully rendered his women in pen and ink, capturing the more informal appeal of women in the early 1900’s in Two Women Reading Newspaper. Gibson was better known for he truly portrayed the elegant inherent nature of American women in his images. His renowned Gibson Girl was depicted in a casual yet elegant style. She captivated her audience and put viewers at ease with female images, more so than previously. The Gibson Girl represented not only femininity, but an American beauty unsurpassed globally.
Another influential illustrator was Harrison Fisher (1877-1934) who, like Gibson, was highly regarded for his brilliant depictions of the ideal American beauty: “girls, young with the youth of a new country, strong with the vitality of buoyant good health, fresh with clear-eyed brightness, athletic, cheerful, sympathetic, and beautiful.” Each of these qualities is highlighted in Lucky Dog, the September 6, 1914 cover of American Sunday Monthly Magazine.
After World War I, American society reflected the relief and progress brought about with significant postwar international change. For the November 17, 1923 cover of Literary Digest, Norman Rockwell (1894-1978) captures a young girl in a candid moment of thought in Dreams in the Antique Shop. The young woman appears innocent and naïve, wearing a short sleeve cotton dress and an apron as she wonders of the new possibilities in the future. Howard Chandler Christy (1873-1952) also approaches young women’s dreams of future change in his 1940’s work, Ladies and Antebellum Architecture. Now on the brink of World War II, Christy depicts his favorite model Elise in a dream-like Southern estate.
For more information on The American Muse please call 212.744.5190 or visit our website at www.AmericanIllustrators.com. American Illustrators Gallery is located at 18 East 77th Street, between Madison and Fifth Avenues, directly opposite The Mark Hotel.
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American Illustrators Gallery (AIG) is the premier exhibitor, buyer and seller of American Illustration Art. Established in 1965 and specializing in the finest work by renowned illustrators such as Norman Rockwell, Maxfield Parrish, NC Wyeth, Howard Pyle, and JC Leyendecker, the gallery has been at the vanguard of what has become one of the most exciting markets in American art.
This exhibition features 26 images: page << 1 of 5 >>
ANNA WHELAN BETTS (1873-1959)EASTER BONNET, THE1904 oil on canvas
21 1/4" x 16 1/2" signed lower right
CHARLES DANA GIBSON (1867-1944)APT PUPIL, AN1898 pen and ink on board
20" x 28 1/2" signed lower right
CHARLES DANA GIBSON (1867-1944)INTERNATIONAL HUMOR1901 pen and ink on paper
19 1/2" x 19 1/2" signed lower left
CHARLES DANA GIBSON (1867-1944)THE MUSE OF SLEEPink on paper
16" x 26" signed lower center
DEAN CORNWELL (1892–1960)COUPLE IN PARLOR1920 oil on canvas
28 1/4" x 36" signed lower left